Some say thirty million, others as much as sixty million: the numbers of people killed in Siberia in the twentieth century defy comprehension. You’d think, with all that bloodshed, that the land would seem haunted, disgraced, or even vaguely sinister. Surely so much suffering must leave its mark in eternity.
There is something to the old adages that say time heals all wounds, or life goes on. But what strikes me most about Siberia is that neither of those really apply: what wounds there were were small scratches on the vast canvas of Siberia. Nature, if she ever really noticed them, has now buried them. Looking out on the forever-forest that rolls by the train window, I can’t think of gulags or exiled Decembrists. All I can think is: the world is a big place, and I’ll never know the smallest bit of it.
Just over the Mongolian border into Russia, I notice our compartment has a copy of the monthly magazine ‘Sunny Mongolia Today’. I flip to the culture section and discover a set of poems by Galsanukh B entitled ‘Advice to God: Postpunk Poems.’ From ‘Impressionist Melody of Spring Time in Cow’s Native Land: Impressionism, Neoclassicism, and the grave of Beatniks in Cow’s Native Land’:
Today’s suffering is the same as tomorrow’s suffering.
Yesterday’s suffering is the same as today’s suffering.
